Manga page to anime scene
Lunch Rush, page 1Your title here
Page card
What you are adapting and what the result should feel like.
- Page
- Lunch Rush, page 1 of 4, seven panels
- Story beat
- Two office rivals read that one melon bread is left and race out the door.
- Length
- About 12 seconds
- Look
- Color 2D anime with the same character designs
Panels to shots
Read the page in order. Each panel becomes one shot, and its size on the page sets its time.
| Panel | On the page | Becomes this shot | Sound | Time |
|---|---|---|---|---|
| 1 | A wide office, two coworkers at desks, a narration box and the word DING. | Wide shot, slow push in. A phone chimes on the desk. | Phone chime, office hum. | 3.0 s |
| 2 | A phone in a hand, the screen glowing. | Insert of the phone. The screen lights up. | Soft click. | 1.0 s |
| 3 | A close-up of his eyes, speed lines behind. | Close-up. His eyes narrow; the speed lines become a quick zoom. | A short rising whoosh. | 1.0 s |
| 4 | A bubble: Bakery update, one melon bread left. | Medium shot, the phone held out as he reads it aloud. | Voice line. | 2.0 s |
| 5 | Two bubbles: Mine. Cute theory. | Two-shot. She answers without looking up. | Two short voice lines. | 2.5 s |
| 6 | Speed lines and a foot pushing off. | Insert of a shoe kicking off the floor. | A sharp scuff. | 0.5 s |
| 7 | A wide shot of both running out, the word DASH, a bubble: Try keeping up. | Wide tracking shot. Both run out of the door. | Running steps, one voice line. | 2.5 s |
Rules of the adaptation
The same five rules work for any page.
- 1Reading order is shot orderPanels are read top to bottom, right to left, and the shots follow.
- 2Panel size is timeThe big opening panel gets three seconds; the small insert gets one.
- 3Speed lines are camera movesThe lines behind his eyes become a quick zoom.
- 4Sound effects become soundDING is a chime and DASH is running steps.
- 5Trim the bubblesKeep the words that move the story and cut what the picture already says.
Page card
What you are adapting and what the result should feel like.
- Page
- [Title, page number and panel count]
- Story beat
- [What happens on the page, in one sentence]
- Length
- [Length of the animated scene]
- Look
- [Color or black and white, and which designs stay]
Panels to shots
Read the page in order. Each panel becomes one shot, and its size on the page sets its time.
| Panel | On the page | Becomes this shot | Sound | Time |
|---|---|---|---|---|
| [Number] | [What the panel shows] | [Shot size and what moves] | [Voice, effect or music] | [Seconds] |
| [ ] | [ ] | [ ] | [ ] | [ ] |
| [ ] | [ ] | [ ] | [ ] | [ ] |
| [ ] | [ ] | [ ] | [ ] | [ ] |
Rules of the adaptation
The same five rules work for any page.
- 1Reading order is shot order[Which way does the page read?]
- 2Panel size is time[Which panels are large, and which are small?]
- 3Speed lines are camera moves[Where are speed lines, and what move do they mean?]
- 4Sound effects become sound[Which written sounds need real ones?]
- 5Trim the bubbles[Which lines can be shortened?]










